Eternal return: the director of Cannes-opener Dead Don’t Die on his postmodern zombie flick

Hello darkness: a conversation about Avengers: Endgame, genre, and the homogenization of the multiplex

A report from the festival that introduced Pulp Fiction, The Hudsucker Proxy, and many others

Look before you leap: Amy Taubin joins for a rundown of all the films we're most excited to see at this year’s festival

Woman of the year: Agnès Varda looms large over the 72nd edition of the Cannes Film Festival

Helter skelter: Mary Harron’s account of the infamous murders and their aftermath foregrounds the women’s experience in all its complexity

Fly me to the moon: Wong Kar-wai, Christploitation, and ”little“ magazines

Preston Innovations Tyson 11ft Pellet Waggler Rod In Joanna Hogg's sublime breakout The Souvenir, a budding artist strives to stay true to her path despite a consuming romance

In Jordan Peele's Us, the doubled characters of Adelaide and Red pose vexing questions about assimilation in America